- In Rainbows, Radiohead: See my recent review.
- Sky Blue Sky, Wilco: This is probably the worst of the six albums Wilco has released, and it's still excellent. I actually think it's worse because it's missing that extraordinary pain we're used to getting from Jeff Tweedy, but, in the end, it's hard to complain about that because he sounds happier and more peaceful than ever before. (How was this 44 on Rolling Stone?!)
- Wincing the Night Away, The Shins: It took me a while to warm to this album, and it still can't touch Chutes Too Narrow, but it's got a lot of nice high points even with a significant amount of mediocrity. Then again, if they had just recorded "Sea Legs" ten times in a row, this would probably be number 1. I really hope their next album has a lot more of that Beck-sounding-hip-hop-beat-pop because that song is spectacular.
- Eardrum, Talib Kweli: A solid album from Kweli. He'll probably never live up to the classics he began his career with--Black Star and Reflection Eternal/Train of Thought--but the man can still flow, and he's more fun to listen to than he's ever been.
- Finding Forever, Common: Kanye's production on here is at least as good as his Graduation work, and Common's got some solid flow as well as significantly better lyrics than the word-vomit Kanye was pouring out this year. "Drivin' Me Wild," "Southside," and "Forever Begins" are all excellent songs.
- Graduation, Kanye West: In a year filled with mild disappointments from some of my favorite artists, this easily took the cake. It's not exactly a bad album, but as a follow-up to The College Dropout and Late Registration, it's an enormous let-down. As far as I'm concerned, "Good Morning" is the only song that would definitely make The Dropout, and "Drunk and Hot Girls" is easily the worst song he's recorded. There's some solid stuff and all, but it's a very worrying album for me. See, no artist can make great music consistently forever, but I'm concerned that this isn't just a blip, and he's become so arrogant that he won't even be able to realize that the quality of his music has slipped, especially when he keeps winning Grammys all over the freaking place.
- Kala, M.I.A.: See the review you're already reading. (I think that's everything I've bought from last year.)
The truth is that there's not anything that M.I.A. or her producer, Switch, are particularly talented at. Switch does some nice things, I guess--especially on "Paper Planes" of course, which is very original--but a lot of it is way too club-rappish, repetitive and commonplace. And M.I.A., while her accent is cool and everything and her flow is fine, doesn't seem to have any talent at, you know, writing. Most of her songs consist of her repeating shit over and over, and though this can occasionally work, like on "Bamboo Banga," it's mostly just annoying. And then when she raps in a more traditional way, her rhymes are mediocre at best. The best I can think of are, "I put people on the map who've never seen a map," and "I've got more records than the KGB," but neither of those are genuinely good, I don't think.
Overall 5.5/10: I'm not going to go through all the songs because there's really no point. "Paper Planes" is a great techno-hip-hop song, and "Come Around," and "Bamboo Banga" are very listenable, but the rest is just consistently mediocre. I don't hate Kala by any means, but I certainly wish I'd saved my $8.99 and just bought "Paper Planes."
(I guess that turned into a post more about my top albums of 2007 instead of Kala. Well, I'm sorry. Hopefully, you'll forgive me.)

12 comments:
From what I understand she was tremendously awful at Spring Weekend. Also I find the accent more annoying than cool.
you mention "come around" a few times - i'd be curious to hear your guys' views on timbaland as a producer.
my friend peter basically believes that timbaland is the best thing to happen to music since the evolution of the eardrum.
while i think some of his beats are a little cheesy and overdone (most of the "shock value" album), i think others are very innovative, smart and unique (big pimpin, dirt off your shoulder, hey papi, the new "4 minutes" song w/ timberlake and madonna, "release" and "give it to me" off shock value, and even some of the other songs hes done with timberlake (make fun of me all you want)).
http://youtube.com/watch?v=WL8c7iYLrYw
ive been trying to get dan to watch that for months. all of the beats timbaland offers jay are sick (one later became a ludacris song, another became a brandy song).
i think both of you guys would enjoy fade to black just for the scenes of jay working in the studio with timbaland, kanye, pharell, rick rubin, etc. (the concert itself isnt that entertaining).
Honestly, as far as I know, that's the first Timbaland beat I've ever heard, but I definitely dig it. I also like his verse a lot--it's certainly better than anything M.I.A. did.
Oh, and "Big Pimpin'" which has a killer beat, but its lyrics make it unlistenable to me.
Wait, so I'm watching the making of "Lucifer" from Fade to Black and...did Kanye write "I'm from the murder capital where we murder for capital?" Cause that's what it looks like, with Kanye spitting that rap over the beat as he's playing it for Jay...it's possible Jay had written to lyrics at that point already, but you have no idea how happy it would make me if those were Kanye's words.
This is a new cover version / remix song and video "M.I.A - Paper Planes (Diss By DeLon)" that has been done by the American (U.S. based) Rapper with Sri Lankan Roots Delon (http://www.myspace.com/delonrap)
M.I.A - Paper Planes (Diss By DeLon)
Ceylon Records - the label handling Rapper Delon has released this controversial video -
M.I.A - Paper Planes (Diss By DeLon)
MIA Paper Planes (Diss by Delon)
Delon speaks about his Cover Version of "Paper Planes"
More from Amerian Rapper Delon who has relatives in Sri Lanka ....Delon promotes peace for the World with his Rap
http://www.myspace.com/delonrap
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Kala is great, i get what you're saying though. some of the songs are shit. Bamboo Banga is amazing, The Turn is the shit. Mango Pickle Down River is where it's at.
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